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| backstory [2026/03/07 20:05] – [The Years Away (Ages 17–24)] harryh | backstory [2026/03/08 03:11] (current) – [At a Glance] harryh | ||
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| - | ====== Harrison ' | + | ====== Harrison ' |
| //formerly Harrison Green · he/they · Wild Magic Sorcerer// | //formerly Harrison Green · he/they · Wild Magic Sorcerer// | ||
| - | > "The hardest thing about approval is that once you've had it, you spend the rest of your life knowing exactly what you're missing." | + | > "The hardest thing about approval is that once you've had it, you |
| + | spend the rest of your life knowing exactly what you're missing." | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Personality ===== | ||
| + | |||
| + | Harry is quiet in company in a way that reads as passive but isn't. | ||
| + | He has spent a long time being talked over and talked around, and he | ||
| + | learned early that the most useful thing you can do in a room full of | ||
| + | people performing at each other is to stop performing and start | ||
| + | listening. He misses very little. He acts on what he notices | ||
| + | selectively and without announcement. | ||
| + | |||
| + | He is careful with his emotions — not closed off, but deliberate. He | ||
| + | grew up in an environment where emotional expression had consequences, | ||
| + | where a surge of feeling could move furniture or shatter glass, and | ||
| + | where the clinical staff wrote down everything they observed. He | ||
| + | learned to keep the volume low. After seven years away he's made peace | ||
| + | with the fact that this is simply how he's built, and stopped trying | ||
| + | to be louder than he is. | ||
| + | |||
| + | Underneath the quietness he is genuinely warm. It takes time to find | ||
| + | and he doesn' | ||
| + | remembers what people have told him, in the way he notices when | ||
| + | something is wrong before anyone has said anything, in the way he | ||
| + | stayed curious about the siblings for seven years of absence rather | ||
| + | than letting them become abstractions. | ||
| + | |||
| + | He has dark humour, deployed sparingly. He is perceptive to the point | ||
| + | of being occasionally unsettling. He is not above saying the thing | ||
| + | nobody else in the room is willing to say, as long as it's true. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Ideals ===== | ||
| + | |||
| + | **Honesty.** Harry would rather say a hard thing than a comfortable | ||
| + | one. Not brutally — he's not interested in honesty as a weapon — but | ||
| + | cleanly, because he has spent his life in environments where things | ||
| + | were not said plainly and he knows the cost of that. A truth that | ||
| + | lands badly is still more useful than a lie that lands well. He | ||
| + | applies this to himself too, which is why his journal reads the way it | ||
| + | does: no softening, no performance, | ||
| + | |||
| + | **Understanding.** He wants to know why things are the way they are. | ||
| + | Why the father made the choices he made. Why the siblings became what | ||
| + | they became. Why the house did what it did to each of them. Not to use | ||
| + | the information — not primarily — but because not knowing is a | ||
| + | specific kind of weight and he has been carrying it for years. The | ||
| + | answers in the mansion' | ||
| + | back. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Bonds ===== | ||
| + | |||
| + | **The siblings.** Complicated, | ||
| + | He left without saying goodbye and carried them for seven years anyway | ||
| + | — in journal entries, in the family photograph, in the specific | ||
| + | ongoing project of trying to understand who they were and what | ||
| + | happened to them. They are the people he is most himself around, even | ||
| + | now, even after everything. Possibly because they' | ||
| + | knew him when he was still becoming whoever he is. | ||
| + | |||
| + | **The journal.** Rhys gave it to him at twelve — a plain book, no | ||
| + | explanation beyond //everyone should have somewhere to put things that | ||
| + | don't go anywhere else.// Harry has been putting things there ever | ||
| + | since, in variations of that same book, for twelve years. It is the | ||
| + | only unbroken record of who he has been. He carried it out through the | ||
| + | rear wall at seventeen and it has been with him every day since. If he | ||
| + | lost it he would be fine. He would also be, in some way he couldn' | ||
| + | fully articulate, significantly less whole. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Flaws ===== | ||
| + | |||
| + | **He waits to be believed rather than asking for it.** This is the | ||
| + | wound that runs deepest and expresses itself most quietly. Harry has | ||
| + | spent his life noticing things, knowing things, arriving at correct | ||
| + | conclusions — and not being believed, or not being asked, or simply | ||
| + | not being in the room when the conversation happened. He learned to | ||
| + | hold what he knew and wait for the moment it became useful, and he | ||
| + | never fully unlearned it. The cost is that people who don't know him | ||
| + | well read the waiting as withholding, | ||
| + | Some of them are not entirely wrong. He is withholding — not | ||
| + | manipulatively, | ||
| + | dismissed is worse than not offering it at all. | ||
| + | |||
| + | **The seven years are not easily explained.** He left, he was gone, | ||
| + | he came back. That's the summary. The middle section — the depots, | ||
| + | the warehouse, the farm work, the flat with the east-facing window, | ||
| + | the slow process of building a life without any of the context that | ||
| + | usually scaffolds one — doesn' | ||
| + | doesn' | ||
| + | their own interpretation, | ||
| + | unflattering, | ||
| + | tips into resignation. | ||
| + | |||
| + | He is working on asking for things more directly. Progress is slow. | ||
| ---- | ---- | ||
| Line 8: | Line 108: | ||
| ===== Origins ===== | ===== Origins ===== | ||
| - | Harrison Green was not born into ordinary circumstances, | + | Harrison Green was not born into ordinary circumstances, |
| + | of them were. That was the point. | ||
| - | He came into the world sometime in the early hours of a single impossible day shared by a handful of children born across the globe under conditions that defied medical explanation. His birth mother was a young woman from Nottingham — a practical, quietly frightened person who kept him for barely a month before making a phone call she didn't fully understand to a number she couldn' | + | He came into the world sometime in the early hours of a single |
| + | impossible day shared by a handful of children born across the globe | ||
| + | under conditions that defied medical explanation. His birth mother was | ||
| + | a young woman from Nottingham — a practical, quietly frightened person | ||
| + | who kept him for barely a month before making a phone call she didn' | ||
| + | fully understand to a number she couldn' | ||
| + | was not cruel. She simply did not know what to do with a child in whom | ||
| + | the air pressure shifted when he was upset, in whose room things | ||
| + | drifted toward his hands in the night. She made the call. Someone | ||
| + | answered. | ||
| - | The man who came to collect him wore a suit that cost more than her annual salary. He was polite, precise, and entirely uninterested in pretending the exchange was anything other than what it was. | + | The man who came to collect him wore a suit that cost more than her |
| + | annual salary. He was polite, precise, and entirely uninterested in | ||
| + | pretending the exchange was anything other than what it was. | ||
| He was not told he was one of several. | He was not told he was one of several. | ||
| Line 18: | Line 130: | ||
| ---- | ---- | ||
| - | ===== Time with the family: | + | ===== The Early Years (Infancy–Age 10) ===== |
| - | It was the largest building Harrison had ever seen, and for the first few years he assumed this was true of all buildings — that they were all this large on the inside, all ceilings that felt like weather and corridors that went further than they needed to. He learned otherwise at seven, on a public appearance, standing on a pavement outside a building with a ceiling you could touch. | + | It was the largest building Harrison had ever seen, and for the first |
| + | few years he assumed this was true of all buildings — that they were | ||
| + | all this large on the inside, all ceilings that felt like weather and | ||
| + | corridors that went further than they needed to. He learned otherwise | ||
| + | at seven, on a public appearance, standing on a pavement outside a | ||
| + | building with a ceiling you could touch. | ||
| - | The mansion became his world. He learned its geography the way children learn the geography of places that feel like theirs: obsessively, | + | The mansion became his world. He learned its geography the way |
| + | children learn the geography of places that feel like theirs: | ||
| + | obsessively, | ||
| + | house that kept revealing itself in pieces. He found rooms he hadn' | ||
| + | known about years after moving in. The house gave itself to him | ||
| + | slowly, and he found this comforting. | ||
| - | The other children were there from the beginning, each of them strange in their own ways. He learned their numbers before he learned their names — the household ran on numbers, names were for public appearances — and memorised the unspoken rules of the group the way you memorise the rules of any institution you depend on for survival. | + | The other children were there from the beginning, each of them strange |
| + | in their own ways. He learned their numbers before he learned their | ||
| + | names — the household ran on numbers, names were for public | ||
| + | appearances — and memorised the unspoken rules of the group the way | ||
| + | you memorise the rules of any institution you depend on for survival. | ||
| - | **Reginald | + | **Reginald |
| + | Harrison would understand that distinction later, once he had enough | ||
| + | context to name it. But with the particular focused intensity of | ||
| + | someone who has found something interesting and wants to understand it | ||
| + | completely. He asked questions. He listened to the answers. He | ||
| + | watched. For a child hungry for that quality of attention, it was | ||
| + | close enough to what he needed that he didn't examine the shape of it | ||
| + | too closely. | ||
| - | From early on, Harrison was singled out. Pulled from group activities for individual sessions in the clinical rooms on the east side of the ground floor: white walls, instruments he didn't have names for, staff who wrote things down without explaining what they were writing. He was kept for hours and returned quieter, inclined to keep to himself. He didn't mind. The father was present at those sessions, which meant the father was paying attention, which was the closest thing to good he knew how to name. | + | From early on, Harrison was singled out. Pulled from group activities |
| + | for individual sessions in the clinical rooms on the east side of the | ||
| + | ground floor: white walls, instruments he didn't have names for, staff | ||
| + | who wrote things down without explaining what they were writing. He | ||
| + | was kept for hours and returned quieter, inclined to keep to himself. | ||
| + | He didn't mind. The father was present at those sessions, which meant | ||
| + | the father was paying attention, which was the closest thing to good | ||
| + | he knew how to name. | ||
| - | His power expressed itself early and unreliably. Things moved — sometimes deliberately, | + | His power expressed itself early and unreliably. Things moved — |
| + | sometimes deliberately, | ||
| + | before his ninth birthday. The father' | ||
| + | Harry' | ||
| + | being studied. | ||
| He was very good at that part. | He was very good at that part. | ||
| - | **Mom** — the household' | + | **Mom** — the household' |
| + | cooked, cleaned, maintained the house, and was present in the same | ||
| + | ways every day in a building where almost everything else was | ||
| + | variable. Harrison found this deeply comforting without being able to | ||
| + | articulate why. She made soup every night. The same soup, the same | ||
| + | bowl, the same time. He ate every bowl she put in front of him. | ||
| - | **Rhys Aldermen** — the father' | + | **Rhys Aldermen** — the father' |
| + | reasons he never explained — was the only adult in the building who | ||
| + | operated outside the clinical framework. He left small things: a | ||
| + | biscuit outside a door, a book with no explanation, | ||
| + | corridor after something had gone badly. He gave Harrison a journal at | ||
| + | age twelve, saying only that everyone should have somewhere to put | ||
| + | things that don't go anywhere else. Harrison has been writing in | ||
| + | variations of that journal ever since. | ||
| ---- | ---- | ||
| Line 42: | Line 198: | ||
| ===== The Training Years (Ages 11–14) ===== | ===== The Training Years (Ages 11–14) ===== | ||
| - | When Harry was cleared for field deployment at eleven, something shifted — not in his power, which remained what it had always been, but in him. The missions meant he was counted. He sat at briefings with the others and felt, for the first time, fully present in the household rather than adjacent to it. | + | When Harry was cleared for field deployment at eleven, something |
| + | shifted — not in his power, which remained what it had always been, | ||
| + | but in him. The missions meant he was counted. He sat at briefings | ||
| + | with the others and felt, for the first time, fully present in the | ||
| + | household rather than adjacent to it. | ||
| - | He worked at the training with the focused desperation of someone who has identified exactly what they want and is unwilling to jeopardise it by not trying hard enough. The approval was there — he could feel it in the quality of the father' | + | He worked at the training with the focused desperation of someone who |
| + | has identified exactly what they want and is unwilling to jeopardise | ||
| + | it by not trying hard enough. The approval was there — he could feel | ||
| + | it in the quality of the father' | ||
| + | watched during exercises when something went right. He chased that | ||
| + | feeling with everything he had. | ||
| The power did not cooperate. | The power did not cooperate. | ||
| - | The problem was not effort. Harrison' | + | The problem was not effort. Harrison' |
| + | keyed in a way that resisted every technical approach the team tried. | ||
| + | The trainers called it instability. One of them, not unkindly, called | ||
| + | him a wild stallion. When his power worked, it worked enormously — | ||
| + | objects moved with precision and force, energies pushed and pulled | ||
| + | with surgical accuracy. When it didn' | ||
| + | consequences. | ||
| - | Collateral damage on a mission. A near-miss with a civilian. A failed objective that could be laid directly at the door of a surge he couldn' | + | Collateral damage on a mission. A near-miss with a civilian. A failed |
| + | objective that could be laid directly at the door of a surge he | ||
| + | couldn' | ||
| The other siblings said nothing to his face. They didn't need to. | The other siblings said nothing to his face. They didn't need to. | ||
| - | What stung most was not the consequences themselves. It was the father. The quality of the attention changed — that focused, hungry interest became something more measured, more careful, more like how you watched a variable you were no longer sure was useful. Harrison noticed immediately. He could not unfeel it no matter how he tried. | + | What stung most was not the consequences themselves. It was the |
| + | father. The quality of the attention changed — that focused, hungry | ||
| + | interest became something more measured, more careful, more like how | ||
| + | you watched a variable you were no longer sure was useful. Harrison | ||
| + | noticed immediately. He could not unfeel it no matter how he tried. | ||
| He told himself it was temporary. He told himself he'd earn it back. | He told himself it was temporary. He told himself he'd earn it back. | ||
| He kept believing this for longer than was good for him. | He kept believing this for longer than was good for him. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== The Conditioning ===== | ||
| + | |||
| + | The father' | ||
| + | intervention was framed as developmental. None of them were. | ||
| + | |||
| + | **The water chamber** came first. Harry would be sat in a room filled | ||
| + | with glasses of water and told to hold them still. While he did, the | ||
| + | father' | ||
| + | designed to produce a reaction. If anything moved, he started over. | ||
| + | The explicit lesson was emotional regulation. The real lesson was | ||
| + | simpler: noise produces consequences. Stillness is survival. Harry | ||
| + | learned it thoroughly, in the worst way available, and never fully | ||
| + | unlearned it. The quietness that people read as passivity now has its | ||
| + | roots here. | ||
| + | |||
| + | **The collateral reviews** followed every mission that went wrong. No | ||
| + | physical pain — just Harry, a table, and a ledger. He was required to | ||
| + | calculate the precise cost of everything he had broken: repair times, | ||
| + | materials, contractor fees, disruption to operations. If he got a | ||
| + | figure wrong, the father would list every expense again from the | ||
| + | beginning and Harry would start over. It was accountability dressed as | ||
| + | humility, humility dressed as education. What it actually installed | ||
| + | was a precise internal ledger he still carries — a habit of | ||
| + | calculating, | ||
| + | he makes. | ||
| + | |||
| + | **Standing down** was the cruellest instrument because it cost him | ||
| + | nothing physically and everything else. After a significant failure, | ||
| + | Harry would be deployed to a mission and ordered not to act. Not sent | ||
| + | home — present, watching, hands at his sides, while his siblings | ||
| + | faced situations he could have helped with. He watched people get | ||
| + | hurt. He did not move. His siblings did not know why. They knew only | ||
| + | that he was there and did nothing, and that knowledge settled into | ||
| + | some of them as something they have never fully named but have also | ||
| + | never entirely let go. | ||
| + | |||
| + | He has thought about those moments more than almost anything else from | ||
| + | that period. Not because of what they did to him — but because of what | ||
| + | they must have looked like from the outside, and what conclusions the | ||
| + | siblings standing in his eyeline would have been reasonable to draw. | ||
| ---- | ---- | ||
| Line 64: | Line 284: | ||
| ===== Being Left Behind (Ages 14–16) ===== | ===== Being Left Behind (Ages 14–16) ===== | ||
| - | The medication was increased when Harrison was fourteen. The father' | + | The medication was increased when Harrison was fourteen. The father' |
| + | team presented this plainly: the regulation wasn't working at the | ||
| + | current dosage, so they were adjusting. Harry accepted without | ||
| + | argument. He had been taking something since his early years in the | ||
| + | house — described initially as general health support, later as a | ||
| + | psychokinetic stabilisation compound. If increasing it would fix the | ||
| + | problem, he wanted it fixed. | ||
| - | It helped. The surges became less frequent. His control, in clinical settings, measurably improved. He was more predictable, | + | It helped. The surges became less frequent. His control, in clinical |
| + | settings, measurably improved. He was more predictable, | ||
| + | containable, | ||
| - | The approval did not return. Not in the same way. Not with the same quality. | + | The approval did not return. Not in the same way. Not with the same |
| + | quality. | ||
| - | He has spent years trying to understand why this — rather than the missions, the damage, the failure — was the thing that broke him open. The logical part of him knows that the father was a scientist managing a liability, and that a stabilised liability is not the same as a successful asset. But Harry had worked so hard. Had done everything asked. Had taken the medication and steadied himself and shown up, and the warmth — such as it was, only ever technical warmth, he understands this now — did not come back. | + | He has spent years trying to understand why this — rather than the |
| + | missions, the damage, the failure — was the thing that broke him open. | ||
| + | The logical part of him knows that the father was a scientist managing | ||
| + | a liability, and that a stabilised liability is not the same as a | ||
| + | successful asset. But Harry had worked so hard. Had done everything | ||
| + | asked. Had taken the medication and steadied himself and shown up, and | ||
| + | the warmth — such as it was, only ever technical warmth, he | ||
| + | understands this now — did not come back. | ||
| - | The sidelining was gradual. Mission rosters first, then briefings, then group sessions he found out about after the fact. After a while he stopped checking for notifications. The testing continued — became more regular, if anything, which he found confusing and would not understand until much later. | + | The sidelining was gradual. Mission rosters first, then briefings, |
| + | then group sessions he found out about after the fact. After a while | ||
| + | he stopped checking for notifications. The testing continued — became | ||
| + | more regular | ||
| + | and would not understand until much later. | ||
| + | introduced during sessions that made the telekinesis surge violently | ||
| + | beyond anything | ||
| + | happened. Harry was not shown the documentation. | ||
| - | He knew it better than any of them by the end. Third floor east side: a room behind a wardrobe not pushed flush to the wall. East corridor: a panel that gave slightly | + | What he didn't know: the chemicals weren' |
| + | telekinesis. They were stressing the whole underlying mechanism — the | ||
| + | same root faculty that, in a Changeling, governs both the shifting of | ||
| + | form and the extension of that malleability outward into the world. | ||
| + | The suppression | ||
| + | pressure | ||
| + | medication could no longer fully contain. The father saw it happening. | ||
| + | He wrote it down. He said nothing | ||
| - | He noted these things and told himself he had no intention of using them. | + | When everyone else was elsewhere, Harry walked the mansion alone. |
| - | His moods began swinging harder — a side effect of the gap between how much effort he was expending and how little | + | He knew it better than any of them by the end. Third floor east side: |
| + | a room behind a wardrobe not pushed flush to the wall. East corridor: | ||
| + | a panel that gave slightly under pressure, covering a storage space. | ||
| + | The rear garden wall: a crack half a metre long, wide enough to pass | ||
| + | through sideways. | ||
| - | He spent more time in the library. He read everything. By sixteen | + | He noted these things and told himself |
| + | them. | ||
| - | **The discovery** came when he was rearranging | + | His moods began swinging harder — a side effect of the gap between how |
| + | much effort | ||
| + | tracked | ||
| + | periods | ||
| + | document and the other siblings more reason | ||
| + | cycle with no obvious exit point. | ||
| - | A dampener. A suppressor of psychokinetic activity, built into the room where he slept. | + | He spent more time in the library. He read everything. By sixteen he |
| + | was very well-read and very lonely and very good at not showing either. | ||
| + | |||
| + | **The discovery** came when he was rearranging his room — one of his | ||
| + | few acts of autonomy, moving furniture simply for the satisfaction of | ||
| + | change. Behind the skirting board beneath the window: a small piece of | ||
| + | hardware, no larger than a matchbox, warm to the touch. He | ||
| + | photographed it. He spent three weeks in the library researching | ||
| + | before he found a name for what it did. | ||
| + | |||
| + | A dampener. A suppressor of psychokinetic activity, built into the | ||
| + | room where he slept. | ||
| He put it back exactly where he found it. | He put it back exactly where he found it. | ||
| - | He lay awake for a long time that night thinking about the pencil that had never moved in sessions. Thinking about the gap between what happened in his room and what happened everywhere else. Thinking about the possibility that the problem had never been him — that the ceiling he'd been hitting for years had been engineered. | + | He lay awake for a long time that night thinking about the pencil that |
| + | had never moved in sessions. Thinking about the gap between what | ||
| + | happened in his room and what happened everywhere else. Thinking about | ||
| + | the possibility that the problem had never been him — that the ceiling | ||
| + | he'd been hitting for years had been engineered. | ||
| - | He didn't confront the father. He was sixteen and had spent two years being told, in every implicit register available, that he was dangerous. Some part of him was almost grateful for the device. | + | He didn't confront the father. He was sixteen and had spent two years |
| + | being told, in every implicit register available, that he was | ||
| + | dangerous. Some part of him was almost grateful for the device. | ||
| He has spent eight years unpicking that gratitude. | He has spent eight years unpicking that gratitude. | ||
| + | |||
| + | At some point — he cannot place the exact date, which is its own kind | ||
| + | of cruelty — he stopped being called in for tests. Stopped being made | ||
| + | to join his siblings in combat training. There was no conversation | ||
| + | about it. No explanation offered. His father ignored any questions his | ||
| + | siblings asked. He had simply been removed from the equation, the way | ||
| + | you remove a variable that is no longer producing useful data. | ||
| + | |||
| + | The father never gave up on any of the others. | ||
| ---- | ---- | ||
| Line 98: | Line 384: | ||
| ===== The Night He Left (Age 17) ===== | ===== The Night He Left (Age 17) ===== | ||
| - | Something snapped at seventeen. Not a single event, not a final straw — more like the cumulative weight of years reaching a threshold and the realisation, | + | Something snapped at seventeen. Not a single event, not a final straw |
| + | — more like the cumulative weight of years reaching a threshold and | ||
| + | the realisation, | ||
| + | to get what he needed from this house. Not now. Possibly not ever. | ||
| - | He packed with care. The journal. The family photograph — all of them together, taken early enough that the dynamics hadn't calcified. Clothes. The money he had saved in small amounts over three years against no specific plan. He waited until the house was quiet. | + | He packed with care. The journal. The family photograph — all of them |
| + | together, taken early enough that the dynamics hadn't calcified. | ||
| + | Clothes. The money he had saved in small amounts over three years | ||
| + | against no specific plan. He waited until the house was quiet. | ||
| - | He went through the crack in the rear wall. Sideways, in the dark, pack held ahead of him. He had known he would need it. | + | He went through the crack in the rear wall. Sideways, in the dark, |
| + | pack held ahead of him. He had known he would need it. | ||
| He did not say goodbye to anyone. | He did not say goodbye to anyone. | ||
| - | He has thought about this decision many times in the years since. Whether it was cowardice. Whether it was the only thing available to him at that particular moment. He has arrived at a conclusion that is probably both, which he finds he can live with more easily than a cleaner answer would allow. | + | He has thought about this decision many times in the years since. |
| + | Whether it was cowardice. Whether it was the only thing available to | ||
| + | him at that particular moment. He has arrived at a conclusion that is | ||
| + | probably both, which he finds he can live with more easily than a | ||
| + | cleaner answer would allow. | ||
| He did not look back at the house. | He did not look back at the house. | ||
| Line 114: | Line 411: | ||
| ===== The Years Away (Ages 17–24) ===== | ===== The Years Away (Ages 17–24) ===== | ||
| - | The first two years were not clean. He had no formal documentation of his life between adoption and departure, a power he couldn' | + | The first two years were not clean. He had no formal documentation of |
| + | his life between adoption and departure, a power he couldn' | ||
| + | and a name that belonged to no paper trail. He took cash work, moved | ||
| + | often, kept himself contained. | ||
| - | The medication had run out within months. He couldn' | + | The medication had run out within months. He couldn' |
| + | prescription — it had been bespoke, administered through the | ||
| + | household. Without it, the stabilisation he'd built during the | ||
| + | sidelining years began to shift. Not catastrophically. Gradually. He | ||
| + | discovered that his power, outside the mansion' | ||
| + | different — more present, more responsive, reaching further than it | ||
| + | ever had in sessions. | ||
| - | He learned to manage the power differently: | + | The first morning he noticed, he had gone to use a hostel bathroom and |
| + | stopped in the doorway because he didn't immediately recognise the | ||
| + | person | ||
| + | felt like hair. He looked at his hands and they looked like his hands, | ||
| + | and then for a moment they didn't, and then they did again. He had no | ||
| + | explanation. He had been running through them and didn't have one. | ||
| - | He was not unhappy. That is worth saying plainly. He had difficult periods and steadier ones. He found a flat at nineteen that was his — genuinely, unambiguously | + | And then, on the way back to the bunk to get his boots, they slid |
| + | across | ||
| - | At twenty-one he heard a Crystal Nova track on someone' | + | Two things, |
| + | happen. He stood there and thought | ||
| + | dampener. About the crack in the suppression | ||
| + | sessions must have opened, and which the medication running out had | ||
| + | finished. He wrote in his journal that he didn' | ||
| + | He still doesn' | ||
| - | At twenty-two he learned | + | He learned |
| + | own emotional triggers, | ||
| + | through | ||
| + | stabilisers removed and has to find out what they're made of | ||
| + | underneath. | ||
| - | He changed his name at twenty-three. Harrison Green became Harrison Hargreeves on a Tuesday morning | + | He was not unhappy. That is worth saying plainly. He had difficult |
| + | periods and steadier ones. He found a flat at nineteen that was his — | ||
| + | genuinely, unambiguously his, paid for with money he'd earned — and | ||
| + | watched the morning light cross the eastern wall every day for years. | ||
| + | He had people | ||
| + | history. He had routines | ||
| + | the inside. | ||
| - | It felt honest. Whatever the father was, that was what he was made of. It seemed wrong to carry a different | + | At twenty-one he heard a Crystal Nova track on someone' |
| + | and didn't know it was her until he looked up the name afterwards. He | ||
| + | listened to most of the album. She sang about being used, about the | ||
| + | family that wasn't one, about the gap between what you were told you | ||
| + | were and what you actually were. He didn't write to her. She'd made | ||
| + | clear she wasn't inviting contact, and that was hers to decide. | ||
| + | |||
| + | At twenty-two he learned about the father' | ||
| + | on a screen in a pub. Not a phone call. He sat with this for a long | ||
| + | time and found he could not arrive at a clean feeling — not anger, not | ||
| + | relief, not grief in any recognisable shape. Just the tangle: the | ||
| + | sessions, the look that meant he'd said something worth noting, the | ||
| + | sidelining, the device. The fact that for years he'd woken up wanting | ||
| + | to show the father something he could do. All of it at once, no | ||
| + | hierarchy, no resolution. | ||
| + | |||
| + | He changed his surname at twenty-three. Harrison Green became Harrison | ||
| + | Hargreeves on a Tuesday morning at a registrar' | ||
| + | without announcement. He told the few people who asked that it was a | ||
| + | family name, which was not untrue. | ||
| + | |||
| + | It felt honest. Whatever the father was, that was what he was made of. | ||
| + | It seemed wrong to carry a different | ||
| + | shaped him. Whether it was also grief, also love, also something | ||
| + | without a clean word — he stopped trying to find the right answer for | ||
| + | it and let it be what it was. | ||
| ---- | ---- | ||
| Line 134: | Line 486: | ||
| ===== The Letter (Age 24) ===== | ===== The Letter (Age 24) ===== | ||
| - | The solicitor' | + | The solicitor' |
| + | name. | ||
| - | That was the first thing he noticed. Not the news — which landed heavily and required sitting with — but the name. Harrison | + | That was the first thing he noticed. Not the news — which landed |
| + | heavily and required sitting with — but the name. Harrison | ||
| + | Someone had been paying close enough attention to know he'd changed | ||
| + | it, and had ensured the letter found the right person. The father was | ||
| + | dead. The will summoned him by name. | ||
| - | He made two cups of tea. He stood at the window. He read the letter four times. | + | He made two cups of tea. He stood at the window. He read the letter |
| + | four times. | ||
| - | The pull was immediate and he did not pretend otherwise to himself. He had built a life. It was a good enough life. He could ignore this. | + | The pull was immediate and he did not pretend otherwise to himself. He |
| + | had built a life. It was a good enough life. He could ignore this. | ||
| He is not ignoring it. | He is not ignoring it. | ||
| - | He is going back because the letter used his name. He is going back because there are siblings he has not seen in seven years and some of them he left things unfinished with. He is going back because whatever the father left behind will cause damage in the wrong hands, and he knows this household well enough to know there are several wrong pairs of hands in it. He is going back because the mansion contains documentation he has never had access to — records, notes, observation reports from every session he ever attended — and the father cannot stop him from reading them now. | + | He is going back because the letter used his name. He is going back |
| + | because there are siblings he has not seen in seven years and some of | ||
| + | them he left things unfinished with. He is going back because whatever | ||
| + | the father left behind will cause damage in the wrong hands, and he | ||
| + | knows this household well enough to know there are several wrong pairs | ||
| + | of hands in it. He is going back because the mansion contains | ||
| + | documentation he has never had access to — records, notes, observation | ||
| + | reports from every session he ever attended — and the father cannot | ||
| + | stop him from reading them now. | ||
| - | He is going back because he never stopped being Harrison | + | He is going back because he never stopped being Harrison |
| + | even when he was trying to be someone else, and the name he chose is | ||
| + | the name on the letter, and when your name is called you answer. | ||
| ---- | ---- | ||
| Line 154: | Line 523: | ||
| ==== What Harry Knows ==== | ==== What Harry Knows ==== | ||
| - | He found the suppression device at sixteen. He replaced it, said nothing, and spent the following year thinking about what it meant before leaving. He doesn' | + | He found the suppression device at sixteen. He replaced it, said |
| + | nothing, and spent the following year thinking about what it meant | ||
| + | before leaving. He doesn' | ||
| + | went. He doesn' | ||
| - | He left without saying goodbye to anyone. He doesn' | + | He left without saying goodbye to anyone. He doesn' |
| + | landed for each of them. For at least one sibling he suspects it | ||
| + | landed badly. | ||
| - | He knows the mansion' | + | He knows the mansion' |
| + | siblings — the false panel, the crawlspace behind the linen cupboard, | ||
| + | the crack in the rear wall. He knows the layout of every floor, the | ||
| + | rooms used and unused, the places people go when they want to be alone. | ||
| - | He knows the medication was doing more than it claimed. He doesn' | + | He knows the medication was doing more than it claimed. He doesn' |
| + | know the full extent of it. | ||
| ==== What Harry Suspects ==== | ==== What Harry Suspects ==== | ||
| - | The medication compound was suppressing more than surges. He has watched what his power does without it for seven years and the gap between those two states is larger than any stabilisation protocol requires. Something was being held back. He doesn' | + | The medication compound was suppressing more than surges. He has |
| + | watched what his power does without it for seven years and the gap | ||
| + | between those two states is larger than any stabilisation protocol | ||
| + | requires. Something was being held back. He doesn' | ||
| - | The increased testing during the sidelining years was not coincidental. The father' | + | The increased testing during the sidelining years was not |
| + | coincidental. The father' | ||
| + | changed shape. What Harry represented to him changed. He hasn' | ||
| + | arrived at what he thinks that means. | ||
| ==== What Harry Doesn' | ==== What Harry Doesn' | ||
| - | The medication included a secondary inhibitor specifically targeting psychokinetic expression, administered at doses far beyond any stabilisation requirement. The father was not trying to regulate his power. He was suppressing it deliberately — limiting the ceiling, keeping the output predictable, | + | The medication included a secondary inhibitor specifically targeting |
| + | psychokinetic expression, administered at doses far beyond any | ||
| + | stabilisation requirement. The father was not trying to regulate his | ||
| + | power. He was suppressing it deliberately — limiting the ceiling, | ||
| + | keeping the output predictable, | ||
| + | found too large to aim. | ||
| + | |||
| + | The chemical testing sessions were also cracking the suppression of | ||
| + | his Changeling nature. The father documented this. He watched it | ||
| + | happen and said nothing. The abandonment was not because Harry had | ||
| + | become a lost cause — it was because what Harry was becoming no longer | ||
| + | fit the framework the father had built to contain him. | ||
| - | Harry' | + | Harry' |
| + | at seventeen, and continues to grow. The ceiling he spent his training | ||
| + | years hitting was engineered. | ||
| - | The father' | + | The father' |
| + | are one of the things the will is keeping in play. | ||
| - | One sibling knows more about the circumstances of Harry' | + | One sibling knows more about the circumstances of Harry' |
| + | than they have ever said. They have been sitting on this information | ||
| + | for years. | ||
| ---- | ---- | ||
| Line 182: | Line 582: | ||
| ===== People ===== | ===== People ===== | ||
| - | ==== Reginald | + | ==== Reginald |
| - | The father. Dead now, which means the story Harry has been carrying for twenty years has calcified into something that cannot be revised by the subject of it. Harry' | + | The father. Dead now, which means the story Harry has been carrying |
| + | for twenty years has calcified into something that cannot be revised | ||
| + | by the subject of it. Harry' | ||
| + | and have never been clean and he has stopped expecting them to become | ||
| + | so. The man was precise, intensely interested, and in possession of a | ||
| + | quality of attention that Harry has spent his adult life not chasing. | ||
| + | He was also the architect of the suppression, | ||
| + | sidelining, and a childhood spent believing the problem was the child. | ||
| + | Harry holds both things. He took the man's name. That is the most | ||
| + | honest thing he has done in his life, and the most complicated. | ||
| ==== Mom ==== | ==== Mom ==== | ||
| - | The constant. She was there when Harry arrived and she was there when he left and she was there, semi-functional, | + | The constant. She was there when Harry arrived and she was there when |
| + | he left and she was there, semi-functional, | ||
| + | with him in the library at three in the morning without asking why. | ||
| + | She made soup every night for twenty years. She said his name | ||
| + | correctly on arrival without additional interpretation. By Harry' | ||
| + | measure, that's functional enough. | ||
| ==== Rhys Aldermen ==== | ==== Rhys Aldermen ==== | ||
| - | The father' | + | The father' |
| + | author. The journal, handed over at twelve with the observation that | ||
| + | everyone should have somewhere to put things. Harry has written in | ||
| + | variations of that journal for twelve years. Rhys doesn' | ||
| + | Harry is all right with that. | ||
| ---- | ---- | ||
| Line 195: | Line 613: | ||
| ===== At a Glance ===== | ===== At a Glance ===== | ||
| - | ^ Full name | Harrison | + | ^ Full name | Harrison |
| - | ^ Known as | Harry | + | ^ Known as | Harry, Number 5 | |
| ^ Age | 24 | | ^ Age | 24 | | ||
| ^ Pronouns | ^ Pronouns | ||
| ^ Gender | ^ Gender | ||
| - | ^ Number | + | ^ Number |
| - | ^ Species | + | ^ Alignment |
| + | ^ Species | ||
| ^ Background | ^ Background | ||
| ^ Class | Wild Magic Sorcerer, Level 3 | | ^ Class | Wild Magic Sorcerer, Level 3 | | ||
| - | ^ Ability | + | ^ Ability |
| ^ Core wound | He had the approval once. He knows what losing it feels like. | | ^ Core wound | He had the approval once. He knows what losing it feels like. | | ||
| ^ Wants | To be counted. To understand what the father actually was to him. | | ^ Wants | To be counted. To understand what the father actually was to him. | | ||
| ^ Fears | That the answer to those two things are connected and equally bad. | | ^ Fears | That the answer to those two things are connected and equally bad. | | ||
| - | ^ Carries | + | ^ Carries |